0:00:58 – Speaker 2
Thank you for joining us. We have yet another exciting episode for you. This is Embrace your Storm. My name is Jonathan Nadeau, I’m your host, as always, and today we have on Tyson. He has submitted a film to the festival called Triggered. So, tyson, thanks for coming on today.
0:01:18 – Speaker 3
Thank you for having me, Jonathan.
0:01:20 – Speaker 2
It’s my pleasure. So, before we get into what Triggered’s all about and everything, the question I’d like to ask all of my guests is how did you first get into using film as your creative outlet? What brought you to that?
0:01:34 – Speaker 3
So I own my own clothing brand called Gotabata clothing. At the beginning I started to make connections through film, through product placement, where you put your brand in film, and I started to make connections with a lot of people in the industry.
So while I was dropping clothes off on sets, I’m like a sponge to certain environments If it interests me, I’ll watch everything and I absorb it. And I was watching how certain people were moving around on set and I was asking questions. I’m not there to ask questions, but I was anyway being cheeky. So if I see the one AD or the lighting department they’re doing certain things, they say, oh, why do you do that? And they were genuinely happy to give me an answer. So I was picking everybody’s brains and after going to two or three different sets, it sort of dawned on me where this was something that I think, that I thought that I could actually go, step into the industry and do so. I took a free online course for screenwriting and started to write and produce my own things. Man.
0:02:44 – Speaker 2
So one thing that I found fascinating about what you just said is you’re like oh yeah, I had my own like clothing line, so I’m dropping clothes off at the, you know, at the center or whatever, so that we need to rewind a bit there. So like, how did you start your own like clothing line? So like, how did you get that off the ground?
0:03:03 – Speaker 3
So I left the military back in 2017 after after the 13 year service Wow and I got the idea for the clothing brand. I’ve always been a person who’s been into my you know sort of designer clothing.
0:03:16 – Speaker 1
I’ve always anybody that knows me knows that I’m always coordinated with everything that I wear.
0:03:22 – Speaker 3
So my hat will match my trainers, my jeans will match my top, et cetera. So I’m always, you know, mr, coordinated. But it got to the point where, you know, prices starting to hike up and I’m thinking I’m paying you know hundreds of pounds for these different items, when I can create something myself and literally create my own wardrobe. And so I, you know, I, got the idea for the logo and ended up getting some samples from overseas and started to create my own t-shirts and caps. That generated some good interest.
I got some Hollywood actors in LA wearing stuff, even though I’m based in the UK. You know high profile comedians over in Los Angeles wearing my stuff and they was around you know high profile celebrities wearing it for red carpet events, et cetera. So it kind of snowballed from there. And, yeah, just I just carried on making new designs. I was getting it in video, music videos with, you know high profile musicians from the UK tapped into a style house in Los Angeles and we’re, you know, again, they have a list of celebrities that go in for certain events and music videos and they sort of take the clothing off the rack. Again got another celebrity wearing it from that style house in Los Angeles and yeah, just carrying on creating, you know different styles and yeah, and that’s where it went from there.
0:04:48 – Speaker 2
So how did you get like the comedians and like this place in LA? Like, how did you get hooked up with all that, like was it all?
0:04:56 – Speaker 3
just the comedian. I was cheeky and I just sent a direct message through Instagram. That’s funny, yeah. You know, sometimes it’s kind of a hit or miss situation. If I send the message and they don’t reply, then at least I know that I’ve sent something and you know, at least I’ve got that off my chest Right. But I literally I thought I’m going to be strategic with this. So the guy the comedians called him if you’re on crock, it would say in any names, but I’ll say it anyway he was on Instagram live and he was doing a live talk with another celebrity and I thought, if I time this right and I send in the DM, maybe you’ll get the notification just as he finishes the live video. So as he sent the, as he just finished up the live video, I sent the message and he literally replied within seconds back and I was like whoa, I can’t believe he’s actually replied. No, kidding.
So yeah, and you know he said send me some pictures and send me a catalogue or your, your, your lookbook, sending my lookbook, all the different styles that we were currently selling at the time, and he said, yeah, I’ll have this, this and this, and took it and then, after I sent it, I think the first event he went to was a Faith Evans the King and I. He’s basically like a memorial to to notorious BIG yeah and the new album that she brought with like old, old music from the both of them and he was posing in pictures with her and I think he had a picture with yeah, that is crazy.
Yeah, so you know from what’s sending one DM. He’s around these celebrities who were, you know, looking at the clothing and they’re getting their eyes on the design. So they’re like, oh, where’d you get that? That’s cool, or whatever Exactly. So he was on. He was on another set with Michael Michael J White you know the martial artist. Yeah, yeah, he was filming the undercover brother too, and there was another one of his supporting cast saw the jackets that he had on, which were my jackets at the time. They asked him for my contact details. He reached out and I started sending him some clothing and now he’s on season three of a show on BET. So he’s doing big things as well. So he was doing live videos with other celebrities, wearing my stuff and actively promoting it, tagging us in pictures, did a photo shoot with him as well, and yeah, he just, you know, again, he snobles and once you plant the seed and he just grows from there.
0:07:23 – Speaker 2
So are you still doing the clothing stuff as you’re getting into the film stuff?
0:07:27 – Speaker 3
No, I’ve actually paused it for the time being because I was producing my own stuff and, obviously, writing stuff. Doing them both at the same time is a little bit hard to do no, exactly yeah.
I don’t want to compromise one and do the other. It needs one piece, either one with my full energy or not, all you know, sort of cutting one off. So yeah, I decided to pause it for the time being and work on the film, and then obviously the natural progression is to bring the clothing that I have into film anyway, because everybody needs wardrobe. So it will all fall into place next year anyway, when we’re doing other films and stuff. So, yeah, so I paused it at the moment, but I’m still in contact with everybody. You know from the things.
So it’s kind of like a switch. I switched it off. But as soon as I’m ready to go again, I’ll switch it off. I hear you.
0:08:15 – Speaker 2
I hear you. So all right. So now back to the film. When you got on, you know you got on these sets or whatever. You’re like wait, this is cool and you got interested. So what I like? Again, you know this might be part of you being in the military or whatever, but you’re like okay, I need to jump online and take some courses and learn. You know, learn what this is about. Like you didn’t mess around, you’re just like all right, let’s, let’s dive in here.
0:08:38 – Speaker 3
Exactly. You know, I always say to everybody the internet is a gift. We used to have to drive to libraries and get information.
0:08:47 – Speaker 2
Exactly.
0:08:48 – Speaker 3
So I’m going through racks and looking through these hundreds of different books. But now we’ve got Google search. As soon as you search for a subject, pretty much nine times out of 10, there’s a free course. Or if there’s not a free, there’ll be there’ll be a YouTube video that talks about it and gives you the information. If there’s not a YouTube video, I guarantee there’s a podcast that is interviewing again Absolutely. So. You know, when I come across a lot of people who have, you know, a lot of excuses for not doing certain things, and I always say there’s no excuse, because the information is always ready, available. If you don’t have internet at home, you can go to a library and get free internet. So again, there’s no excuse. Just make sure that you actively looking for these things that you want to do and you will naturally progress.
0:09:32 – Speaker 2
So so now is triggered, your first film that you put, that you’ve done and put out like as like your first, like you know, project you actually want people to see, or whatever.
0:09:43 – Speaker 3
Yeah, that was. That was my first short film. I’ve learned a lot since doing triggered. I’ll be honest. But triggered was pretty much in at the deep end type situation. You know, I learned everything what I could from online and watching videos. I planned everything. Then you learn, then you learn a lot more once you actually start doing it Exactly.
0:10:04 – Speaker 2
I always say this to people.
0:10:05 – Speaker 3
you know you can. You can plan until until your eyes bleed, ears bleed, etc. But you literally cannot plan for what’s going to happen while you’re on set because it’s literally so many working parts. There’s always something that doesn’t go the way that you planned it and you just need to be adaptable in that situation. And I think that’s where you know my military experience made me suited for that role, because in the military, every situation that comes across you whether you’re in you know your normal working routine, or whether you’re on operations overseas you’ve always got to be able to adapt at the click of the fingers and be able to drop what you’re doing and and roll with the punches you know such.
So when I was filming I think it was a four day shoot that we did there was a lot of things that happened. You know a lot of locations that dropped out last minute, so we had to find new locations, etc. Etc. Cast didn’t turn up and I was. I was pretty much snappy with the decisions and the rest of my team were kind of like oh, you know, what are we going to do? And I said, all right, this is the plan, straight away with an action plan drawing up maps, like I was. You got, you got to play?
0:11:11 – Speaker 2
What is it playing for the best, hope for the worst, oh, no, exactly that the best plan for the worst.
0:11:19 – Speaker 3
You know exactly exactly, but it worked out in the end. You know, and it actually, when we look back at it, it’s one of the things where I thought, you know, all the cast that we actually had in it, they didn’t turn up, the support us, etc. We didn’t really need them because the story was still told how it was supposed to be told and the message was there. So, you know, chopping off that sort of dead weight, if you want to call it yeah. Yeah, it made sense anyway. So you know, we may be I may be over planned and then ended up where you know when, when it didn’t go our way, he actually got the right way without was actually realizing it. So, yeah, that’s cool.
0:11:56 – Speaker 2
So now with so you, you wrote the script and you kind of wore all hats, like everyone usually does on a film you like directed, produced and all that stuff and everything too right.
0:12:06 – Speaker 3
Yeah, correct, I was like greeting actors and support artists as they were turning up, making sure they was happy, you know, and they were, and they weren’t becoming restless, etc. Etc. And he was kind of like you say, you wearing loads of hats, which you know really should, you should be concentrating on one of the crafts. But I felt in myself that I could handle that sort of pressure because I come from a pressurized environment in the military anyway. So it was things where I thought you know, I can handle this and I did, you know, and I was making sure everyone was alright.
I was directing, I was talking to the owners of the locations we was filming in places where there was pedestrians and you know them, citizens that were coming into the shops. I had to deal with them and make sure that they were in the shots. Blah, blah, blah, and it was. It was a lot of pressure. I won’t lie to you. When I finished the last day, I was, I was drained and I think I took a couple of days rest after that. But it Felt good that I could handle that pressure and I actually delivered on the under that pressure as well. So yeah, that’s cool.
0:13:07 – Speaker 2
So now the getting to trigger them. What’s what’s figured all about? Why did you, why did you want to make this film?
0:13:13 – Speaker 3
So triggered was based off or is based off my own personal experience is meant with mental health and it follows the day-to-day life of a guy called Terence who suffers from anxiety, social anxiety and depression and he’s followed by the voice in his head called trigger who, basically, when, when he any situation he comes to in life, whether positive or negative, trigger is that voice in his head that makes it, he blows it out of proportion and makes him worry and then sort of sets his mental health into overdrive. So the reason behind me making the film was for awareness, mental health awareness for people that Don’t know so much about mental health. You know a lot of people like to. You know people like CV things visually. People watch a lot of Home and when people watch film I think the absorb the information a lot better than a sort of leaflet or a text. So I decided to make it into a visual film with a little bit of a spin on the way that I experienced it, so that people can See the signs and symptoms in the friends, family Members, colleagues and people that they’re around and it just gives them a better understanding on their own personal mental health.
Maybe you know somebody is suffering from mental health.
They watch the film and then think, wow, you know what, I really need help, that I kind of resonate with this film. And then they go away and then they get help. Or they maybe they’re not suffering from mental health but they’ve got children, they’ve got friends, they’ve got family colleagues who they see the signs and symptoms from the film that are actually the signs and symptoms that the, the, your friends, family colleagues are suffering at the time. So then that sort of instigates that conversation where they will go and maybe ask them you know how you feeling, you Are you okay? You know I’ve noticed that you’re a little bit down, blah, blah, blah. And then that can sort of instigate the conversation where the person might be open to getting therapy. So then they end up, you know, ultimately getting help, and then you know it doesn’t. It doesn’t come to the worst case scenario where a lot of people are not getting help. And you know it’s as I know from experience through friends and close people. People are committing suicide and the race.
You know, because people are sitting with these feelings and they’re not, they’re not venting to anybody, they’re not speaking to any anybody about the feelings, that the feeling, and they sort of isolate themselves, as I did, and the sort of caught up in this, especially with us men. We, you know, we sort of raised to suppress our feelings and and sort of. You know we’re men so we can’t have mental health issues. You know, right, crack on and and do what we have to do daily. But, you know, triggered, hopefully gets the message out to people to speak out and know that you’re not alone in this situation.
There are plenty of people that are in the same situation. There’s plenty of groups that you can speak to, there’s plenty of places you can walk into and book appointments. But if you’re not feeling comfortable to speak to people in person, there’s plenty of places you can call, you can send emails to, and, and, you know, if you don’t like the face-to-face interaction, you can do it online and, yeah, yeah, also do it over the telephone. So there’s, you know there’s different means. If you’re making contact with these different Charities, that will help you on your way.
0:16:32 – Speaker 2
Yeah, no, I appreciate what you, what you’ve done, this movie because, like you said, some people can Maybe learn or take things in more in a visual way and that’s definitely like the day in age we live in anyways.
But you know, I was telling you before the interview how my, my daughter, struggles with mental health issues and, and before that you know I would, I would, generally speaking, in general terms, I would look at depression or mental health and I’d be like I don’t get it.
You know, I’ve, I’ve been through all this stuff myself and I I didn’t go through like a about a depression and you know, I don’t want to say my attitude was kind of like, oh, just get over it, but it was sort of like that, you know, because I’m like, through my own experience, I didn’t, I didn’t go through this, but you know I’m, I’m different, right, I’m not the same as everyone else and vice versa. But Once my, my daughter, started struggling with mental health issues three or four years ago, that’s when it really hit home for me, yeah, and it really, you know, showed me that it like these symptoms that you talk about, like, like, because the day and age we live in, I think we just pushed them off. You’re like, oh, I’m anxious, oh I’m this or I’m that, oh, I feel this way around a crowd of people. I think we just shove all those things aside. But really the the dangerous thing is not talking about it.
0:17:50 – Speaker 3
Correct. And the thing is, jonathan, anxiety is a normal human response. That’s what people need to understand as well. You know, just because you get anxious in a situation, that doesn’t mean that you’re suffering from mental health. But anxiety is is natural. You know, with with us. You know being hunter, hunter, gatherers from Right hundreds of years, thousands of years. The the fight or flight response is a natural viewer response. But it’s when you’re getting the fight or flight response in situations that you shouldn’t be getting the fight or flight response.
It. Does that make sense? So a lot of people are getting so personal experience again. I was getting the fight or flight response, literally just putting the bins out on on a normal day in the fucking house, and I was.
I was worrying about. You know what the neighbors are going to think, how I’m going to be, how I’m putting the bin out, etc. Etc. And that’s not normal. So you know, when it’s in, when the feeling is in overdrive, in situations that it shouldn’t be, that’s when you really need to see help, and you might. It might start off off small and you need to keep an eye on it, and it’s easy, easier said than done, yeah. That’s when the people around you need to be more aware of the situation and, like like you did with your, you know, with your daughter, you’d be you become aware to the situation because you’re sort of experiencing experiencing it second hand.
0:19:07 – Speaker 2
Yeah.
0:19:07 – Speaker 3
And you just need to be mindful of the people around you, and that’s where where people need to be more aware of it, even if they’re not suffering. Just make sure that you’re aware in some way, shape or form.
0:19:19 – Speaker 2
I mean speaking of being mindful. I mean the people listening to you talk. I mean if they were to hear you talk to they wouldn’t have. I would never would have assumed you struggle with mental. You know what I’m saying. Like you’re like a put together dude, right?
0:19:31 – Speaker 3
So like I’ll be honest with you, jonathan, like yesterday I was, I was contemplating putting a video on Instagram, so I would just. You know I suffer I don’t like the word stuff. I have anxiety and it never really goes away, something that you learn to cope with, and that’s where, when you get the therapy, they give you these. You know the sort of tools you take away, the tools from the therapy that help you cope with with the anxiety. Yeah, so it never, it never goes away 100%, but you know how to cope with it. So, for example, yesterday I was sat at home, I was doing whatever I do in my day to day life and all of a sudden, I started to get this rush of anxiety for no, no apparent reason at all. I don’t. I don’t know where it come from, I don’t know what it was from and what triggered it. However, I knew that I was starting to feel uncomfortable, just sat at home.
Now, the way, the way that I deal with that, because I can recognize it when it’s building up I just put my sports kit on and I go for a walk in in like wooded areas, or you know, some of the weather is nice. You know there’s nature is quite open and for me, when I do that, as soon as I’ve gone for that walk whether it’s 20, you don’t have to be an hour, you know 20, 30 minutes walk come back and the feeling had literally gone and the natural endorphins from me walking Give me a food tour. I literally flipped it on its head, from me feeling anxious to feeling happy because I recognize the signs. And that’s where people need to know that you know sort of their own feelings.
0:21:02 – Speaker 2
Exactly.
You know I mean yeah, no, totally. So now back back to trigger. Then, like I don’t know how much you want to give away, or tell it what I mean. Obviously you don’t want to give away the ending or whatever, but I mean what? What are like maybe a scene or two, or like you know, I don’t know, like if you want to explain some kind of what the movie looks like, just so people would know what to expect, because I do like. I do like the approach that you took with having the, the physical person, representing, like the gesture, if you want to talk about that.
0:21:32 – Speaker 3
Yeah, so, so how, how the scenes were shot and when, when Trigga would be, he’d be there in in shots and then he’d disappear and it sort of be like a back and forth so that you realize that he was sort of a figment of if Terence’s imagination and that’s sort of like the look that we went for. And with regards to his color grading, he started off sort of dark and gritty and then, as he was sort of going to go into words therapy, the color grading got brighter and you can’t really notice it until somebody tells you what the grading goes from dark to light At the end, when he, when he saw our therapy, and that’s sort of If you were to explain mental health in color, that’s the sort of way that I’m explaining.
you’re in a very dark place and then you sort of your life brightens up Once you saw out therapy and it’s sort of a massive weight off your shoulder and then you sort of you know, I won’t say skip out of therapy, but you feel lighter, you know, yeah, yeah.
0:22:31 – Speaker 2
Are you level? Yeah, no, totally like I. I mean a little story about myself. I start speaking to a therapist, like a year and a half ago or so, and I was my brain was going to have like a complete train wreck, like they’re, they’re just so much going on in my life and you over here in the United States we have it was. It wasn’t 911 and they call that, but it’s a number, kind of like that, and I, and when I called him I was just like you know, I I’m not going to hurt myself, I’m not, I’m not that kind of person. I don’t think I could ever do that. But but I was like, but if I’m not going to hurt myself, what is the answer? Because my, my brain is going to, like I said, have this train wreck, like how do I help? How do I help myself if, if I’m not going to hurt myself, you know, like I almost understood at that point, like why some people do hurt themselves.
0:23:30 – Speaker 3
You know you need some sort of an outlet. That’s the thing it’s. It’s one of them things where it’s kind of like a pressure cooker, right. So, when, when, the when the pressure cooker’s on, at some point you need to turn it off before it explodes. If you keep the pressure cooker on and it keeps heating up, heating up, heating up, eventually it’s going to bang, yeah, and and that you know. That’s the thing. If you, if you don’t know how to sort of have that pressure relief, yeah.
You know you’re letting off a little bit of steam, even if it’s a little bit each day, still relieving that little bit of pressure where you’re not going to sort of explode. Then you sort of in in a bad place. It’s one of them things where you need to understand yourself, your thoughts. Yeah, not a tool is what exactly?
0:24:12 – Speaker 2
that that’s. That’s where having tools comes in in the play. For sure, right, that that really is what changed me as just having the right tools and kind of unraveling my brain a little bit, you know, and kind of getting a reorganized. But it was, it was one of the best things I’ve ever done. I, I, I again I would say I was sort of I wouldn’t, I wouldn’t say I was like openly against talking to therapists by black. You can go ahead and do it, but I don’t need that. You know like. But, like I said, I went to you, I started going a year and a half ago. It’s one of the best things I’ve ever done and I would tell anyone it’s not going to hurt you to talk to someone you know like, like. It is well worth your time 100 percent.
Yeah, so yeah again. Tyson, I totally appreciate this film. What advice would you give some like new upcoming people like that one to get started in film? If it came to like writing a script or whatever Like, what kind of advice would you give the people that like? Oh, I can’t do that I don’t have this or that Like. What advice would you give?
0:25:17 – Speaker 3
them. I would say if you want to be a, if you want to be a writer, I would say, go online on YouTube. If you’ve got access to YouTube and an internet connection, go on YouTube. Youtube there’s so many different established screenwriters who have done a lot of work with big networks and they’ll literally tell you how to break down the structure of screenwriting so that you need to learn the foundations first as screenwriter and you need to understand the free app structure. If you don’t understand that, then your screenplay won’t translate well. So that’s the basics of it. You need to learn the foundations and dig deep into the free app structure. So if you don’t have access to the internet and you don’t have YouTube etc, go to a library.
There’s plenty of screenwriting books available and I would say one that I found the best for myself was Sid Fields, the screenwriter’s workbook. Now this literally gives you exercises and step-by-step instructions for creating a screenplay and it breaks everything down. So you’ll read a chapter, it will summarize the chapter to make it more digestible, and then it will give you an exercise at the end of that chapter which you have to then take away and put into play. So it sort of cements everything that they spoke about in that chapter. So yeah, you know if I recommend the book, get Sid Fields’ screenwriter’s workbook and he’s also got one after that which is a screenwriter’s problem solver, which sort of packs onto the top of the screenwriter’s workbook, helps you develop your script, because after you wrote your first draft, your first draft is literally when you’re shoveling the sand into the sandbox. From that sand you need to then build your sandcastle. So it’s one of them, things where both of them bookside by side are really good tools to use.
So if you’re going into film, if you want to get into the industry in any of the other multiple departments, as you know, in the film industry, if you want to get into the industry, I would say get onto a set. It might be a high profile set, it might be an independent set where there’s a local film group in your town, city, state, etc. If you can get around people that are filming. Get on set as a support artist, because as a support artist you sort of have the bird’s eye view of everything going on. You know you’re not getting caught up in everything but you’re taking a step back and you can sort of watch the different departments and from taking that approach, you can see what sort of, maybe what department you would like to go into, because you can then watch the individual departments working in real time.
So I’d say it goes as a support artist, choose the department that you find the most interesting and then again pick the people’s brains that are on the set. That’s what I did. I was asking them questions, you know, and intrigued me more getting the answers and I’m thinking, wow, that’s very interesting. So never don’t be. I mean don’t go on set and while they’re in the middle of doing a job, asking questions, because that’s the wrong approach. But you know, when you see that you know they’re having a couple of seconds and they, you know, not sort of doing anything technical or anything and you’re not really disturbing them, then just approach them in a nice way and just say, hi, my name’s whatever your name is and I’m very interested in joining this sort of your department within the film industry.
Would you know, would you be able to tell me a little bit of how this works? And you know, nine times out of 10, if they’re not stressed and got smoke coming out of the rear, you know they’ll give you a chance. So you know you’ve got to read the situation as well and make sure that they’re not. You know they’re not looking stressed out and running around on fire, so it’s just one of them things. You know you’ve got to pick people’s brains and ask people and on top of that, back to the YouTube. You know I’m not getting any sort of money from YouTube. Right, youtube is again. Youtube and Google are your best friends. You know you can Google anything that you’re interested in and you’ll get, you know, pages on pages of all this information and you don’t have to pay hundreds of pounds for a course, which is good if you have the YouTube, but if you don’t, you can get this information free on Google and YouTube, because there’s always videos.
And on top of that, if you want to go further and you know maybe you’re not a visual learner you can listen to podcasts. There’s plenty of audio and podcasts. I would say give you the more in depth information, because I’ve listened to some podcasts and they’ll have guests who you know from directing certain films, etc. Etc. And they will tell you the obstacles they went through. They will tell you the routes that they’ve gone through to get to where they are. And that’s what you want.
You really, if you want to go somewhere, it’s best to follow the people that are in the position where you want to be and the people that have got the track record of being successful in that industry, and that’s what I always do. I’ll follow that. You know, sometimes I watch a film and I think, right, that was a really good film, even if it’s an independent film. I look at the credits, find out who the writer was, find out who the director was. I’ll follow them on Instagram and then I’ll find out if they’ve got any courses, if they’ve got any videos on YouTube and nine times I tend to done podcasts, they’ve done interviews, etc, etc. And you’ll find a lot of information from that.
0:30:40 – Speaker 2
That’s really cool. Thanks, tyson, I appreciate that. Again, you know, for the submission to the festival for Triggered. Thank you so much for that. Thank you for your work on it. I greatly appreciate it. Without you know creators like you making films there’d be no tornado film festival. So thank you so much for your work on that. Well, thank you very much for having me my pleasure. Do you have any other work coming down the down the road here? Do you want to like give out your website and stuff?
0:31:06 – Speaker 3
Yeah, well, if I’m on Instagram at Tyson Tyson underscore G, underscore official, so you can follow. So I don’t really put too much personal stuff, it’s more work related. It’s kind of like you know an electronic CV, if you want to put it that way. So if I’m working on stuff it’s always on my Instagram and I’ll post stuff on there. And I also have a production company called GSBS Productions UK and that’s GSBS Productions UK and currently we’re working on a web series called the video shop. So if you want to, you know, get any information on that, follow GSBS Productions or my personal page and you’ll find all information on, you know the release and so how far we’re getting in post production with that.
0:31:50 – Speaker 2
Awesome, awesome Again, tyson, thank you so much for your time. We’re going to be wrapping up the interview here, so again, I appreciate all your work and everything you’re doing as a creator. Thank you so much.
0:31:59 – Speaker 3
Thank you very much for having me on your podcast, jonathan. Thank you, my pleasure.
0:32:04 – Speaker 2
And everyone. Thank you for listening, Thank you for downloading and don’t forget to embrace your storm. See ya.
0:32:13 – Speaker 1
Tornado with Jonathan Nadoe. If you haven’t yet, please subscribe now. See you first to hear new episodes with more stories of inspiration about the highs and lows of life and how embracing the storm is so much more fulfilling of a life than being crushed by the weight of the world. And until then, we hope you’re inspired to do something, whether it’s creating, participating or learning, whatever leads you to your personal passion.
Transcribed by https://podium.page
